The Writing Coach team are available to work with you on your manuscript or as your mentor. All consultants are either published writers, professional editors or university lecturers and all have broad experience of working with developing writers. Your work receives nurturing, individual attention, with a focus on positive, constructive but honest feedback.
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Jacqui Lofthouse
Jacqui Lofthouse is Founder of The Writing Coach. She is the author of four novels including the bestselling ‘Bluethroat Morning’ and the critically acclaimed ‘The Temple of Hymen’.
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Alasdair Mackay
Alasdair Mackay is a screenwriter and director currently working in the film industry.
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Bryony Pearce
Bryony Pearce is a writer of Young Adult novels and Adult short stories. After completing her MA in English Literature at Cambridge University, she worked as a Research Manager before publication of her award-winning debut novel
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Stephanie Zia
Stephanie Zia edits both fiction and nonfiction at Blackbird Digital Books where she oversees all stages of the digital publishing process from commissioning new works to editing, formatting and promotion.
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Steph Roundsmith
Steph Roundsmith is a children’s literary agent, freelance editor and runs a reading and writing scheme for children in the north east of England called kidsreadwritereview.
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Voula Tsoflias
Voula Tsoflias is a writer of fiction and non-fiction, and a corporate psychologist. After completing her MA in Creative Writing at Birkbeck in 2005, she completed her debut novel Honor’s Shadow, published by Karnac in 2011 (under her previous name of Voula Grand.)
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Chetan Mahajan
Chetan Mahajan is an author, blogger, and writing coach. He lives in a village in the Indian Himalayas where he writes full-time, and runs the Himalayan Writing Retreat.
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Stephen Brown
Stephen Brown is a playwright, dramaturg and creative writing tutor. He has given creative feedback to scores of creative writing students and professional writers.
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Rosalie Love
Rosalie is an editor and literary consultant who has the knowledge and expertise to help you perfect your manuscript.
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Phil Viner
Phil Viner is a Crime writer and writing mentor.
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Nikki Sheehan
Nikki Sheehan is an author, journalist, mentor, and mother of three teenagers. She has published three MG and YA novels and also writes poetry, and books for younger children.
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Louise Voss
Over her eighteen-year writing career, Louise Voss has had twelve novels published – six solo and six co-written with Mark Edwards; a combination of psychological thrillers, police procedurals and contemporary fiction
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Lindsay Hawdon
Lindsay Hawdon is a former Sunday Times and Telegraph travel columnist, a writer of fiction and an Associate Lecturer at Bath Spa University.
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Laura Wilkinson
Laura has published six novels for adults (two under a pseudonym) and numerous short stories. Her contemporary fiction is published by award-winning independent press, Accent.
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Judi Goodwin
Judi Goodwin specialises in helping writers achieve fluency and creativity in editorial features, memoirs and non-fiction.
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Jon Magidsohn
Jon Magidsohn, originally from Toronto, is the author of the memoir Immortal Highway. His work has been featured in The Guardian, National Geographic Traveller, Yes & No Magazine, Hippocampus Magazine, Full Grown People and has written about fatherhood for Today’s Parent, dadzclub.com and the Good Men Project.
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Heidi Williamson
Having been coached or mentored at key stages in her writing life, Heidi understands the enriching experience and significance of both. Her latest poetry collection, The Print Museum (Bloodaxe, 2016), won the 2016 East Anglian Book Award for Poetry and the Book by the Cover Award 2016.
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Glynis Kozma
Glynis Kozma works with clients who want to develop their writing around their interests and passions, as writers of non-fiction books or features. She is the author of two non-fiction guides for parents and has written features for The Times, Guardian, Daily Telegraph and Independent, as well as a wide range of consumer magazines and websites.
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Dr. Pauline Kiernan
Dr Pauline Kiernan is an award-winning playwright, commissioned screenwriter and prize-winning short story writer.
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Dr Sara Bailey
Dr. Sara Bailey is a writer, consultant and lecturer who has been working with authors and screenwriters for many years in London, the Southeast and more recently in the Orkney Islands.
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Delia Lloyd
Delia Lloyd is a writer and communication consultant with particular expertise in non-fiction and academic writing, as well as blogging, journalism and editing.
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Caroline Green
Caroline Green is a Sunday Times best-selling, award-winning author of fiction for young people and adults.
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Mark Leggatt
Mark is the author of five books and a former technology specialist. He is an editor…
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Jacqui Lofthouse
Jacqui Lofthouse began her career in radio production and media training. In 1992 she studied for her MA in Creative Writing at the University of East Anglia under Malcolm Bradbury and Rose Tremain. She is the author of four novels, The Temple of Hymen, Hamish Hamilton/Penguin 1995/1996, Bluethroat Morning, Bloomsbury 2000, Een Stille Verdwijning, De Bezige Bij 2005 and The Modigliani Girl
Jacqui’s first degree was in Drama and English from the University of Bristol and she has a PGCE in English with Drama from the Institute of Education, University of London. She is also a qualified life coach (CoachU, USA). She has taught creative writing in a broad variety of settings including at City University, at Richmond Adult and Community College, and at Feltham Young Offenders Institution. In addition, she has taught English and Drama in London secondary schools and is a member of NAWE (National Association of Writers in Education). Jacqui’s journalism has been published in The Literary Review, The Good Book Guide and The New Writer magazine. She has been profiled in The Independent and her novels have been widely reviewed. She is also an actor.
Jacqui founded The Writing Coach in 2005. Her mission was to help writers to be confident and productive, producing their best work and getting it into print. She is currently working on her own fifth novel.
Testimonials
Jacqui is the first person I show all my novels to and my most important critic. As well as being a terrific novelist in her own right, she has an acute eye for what is not quite working in any piece of work and is exceptionally good at pointing it out in a way that is firm but constructive and helpful. I can recommend her highly to anyone who needs help.
– Louise Doughty – Colleague, Booker Prize Judge 2008 and Author of Costa Prize 2011 shortlisted novel Whatever you Love and the bestselling Apple Tree Yard.
Alasdair Mackay
Alasdair Mackay is a screenwriter and director currently working in the film industry. He has written 15 feature film scripts as well as numerous award-winning short films and a TV series that will be launched internationally on Amazon Prime later this year.
In his first year in the industry he saw 7 short films produced and, by 2013, was starting to see his work screen at international film festivals including Cannes. His films have won awards from places as far a field as New York, New Delhi and Nottingham.
Alasdair is currently anticipating full financing for two of his feature projects, with at least one likely to go ahead this year. These will be 7-figure budget productions, but he has also written to order in the form of novel adaptation or concept development.
The series “NightwatchMan” is currently in the later stages of post production and will hit screens on Amazon Prime in the UK, USA, Germany and Japan in 2019.
Bryony Pearce
Bryony Pearce is a writer of Young Adult novels and Adult short stories. After completing her MA in English Literature at Cambridge University, she worked as a Research Manager before publication of her award-winning debut novel, Angel’s Fury. Since then, Bryony has had a further six YA novels published, in the sub-genres of science fiction, dystopia, paranormal and horror. She is currently working on her next project and has a number of short stories published in science fiction and YA anthologies.
Bryony conducts creative writing workshops and visits schools to spread her love of literature and she has been working as a literary consultant for over six years.
Stephanie Zia
Stephanie Zia edits both fiction and nonfiction at Blackbird Digital Books where she oversees all stages of the digital publishing process from commissioning new works to editing, formatting and promotion. Stephanie has worked in the arts all her life: at the BBC, the Guardian and as a published novelist. As author of Self-Publishing Ebooks including Self Publishing Ebooks: The Absolute Beginner’s Step-by-Step Guide, she has guided many authors through the digital maze of ebook and POD paperback publishing.
She has had two commercial fiction novels Baby on Board and Keeping Mum, published by Piatkus and two non-fiction books published by Hamlyn. She has also written for a variety of magazines and newspapers and for five years was a regular columnist for The Guardian Weekend Magazine’s Space Solves page.
Steph Roundsmith
Steph Roundsmith is a children’s literary agent, freelance editor and runs a reading and writing scheme for children in the north east of England called kidsreadwritereview. She currently works as editorial assistant for Myrmidon Books in Newcastle and specialises in fiction and children’s books. Steph spends a lot of her time working with children’s authors, schools and children and has built up a wealth of knowledge as to what children want, what publishers are looking for and what booksellers are hungry to sell.
Steph is very keen to work with children’s authors in any genre up to YA and has a wide-ranging skillset from proofreading and copy-editing to mentoring and consultancy. Steph has worked with a range of writers and has a talent for spotting a great story with the ability to polish it to submission standard.
Voula Tsoflias
Voula Tsoflias is a writer of fiction and non-fiction, and a corporate psychologist. After completing her MA in Creative Writing at Birkbeck in 2005, she completed her debut novel Honor’s Shadow, published by Karnac in 2011 (under her previous name of Voula Grand.) In the same year, she was a contributing author to The DK Psychology Book, which won an award from the British Psychology Society. She is currently working on a new novel.
Voula combines her writing activities with her work as a leadership psychologist in business. These two worlds collide in a collaboration with writer Isabel Costello: they offer a workshop on “Resilient Thinking for Writers.”
Voula enjoys general and women’s fiction, speculative and dystopian fiction; and her special interest and knowledge in psychology makes her well suited to support writers of psychological drama (as she herself writes) and non-fiction writers of psychology.
By Voula Tsoflias
As an experienced coach and mentor, I draw upon the principles of positive psychology. I can help writers develop a mindset for success through resilient thinking, whilst also providing coaching on the technical aspects of the craft of writing, drawn from my MA in Creative Writing and my Faber Edit Your Novel Course. I especially like to help people see where their writing really “sings” so they can fully understand their best work, as well as helping them address areas for improvement. Finally, I think it is very useful to help a writer to fully understand and respect their own writing process, to make friends with the way they work, as a source of energy and inspiration.
Chetan Mahajan
Chetan Mahajan is an author, blogger, and writing coach. He lives in a village in the Indian Himalayas where he writes full-time, and runs the Himalayan Writing Retreat. Over the past two years the Himalayan Writing Retreat has hosted over 15 events which have been attended by people from 5 nationalities, some travelling from halfway across the world.
His first book was published by Penguin in 2014. His writing career started at the unlikely venue of an Indian jail. Wrongly imprisoned as the fall guy for his employer, Chetan realized he was surrounded by interesting subject matter. Always a closet writer, Chetan started to write a daily diary. This was published by Penguin in 2014. The non-fiction The Bad Boys of Bokaro Jail is the story of an Indian jail told through Chetan’s eyes.
In addition to coaching and teaching, Chetan is also working on his next book. If he follows his own advice, it should be in the stores by mid 2019. His blog (Uncityblog) about leaving the city for the mountains recently won the Indiblogger award for humour. A graduate of the Northwestern University in Chicago, Chetan has formerly worked in the corporate world both in India and the US.
Stephen Brown
Stephen Brown is a playwright, dramaturg and creative writing tutor. He has given creative feedback to scores of creative writing students and professional writers. His approach is sympathetic, detailed and creative: he aims not just to point out problems but also to suggest fruitful new directions.
Stephen’s adaptation of Rory Stewart’s bestselling memoir Occupational Hazards was produced on the main stage at Hampstead Theatre in 2017 and broadcast on Radio 4. His play Semmelweis, an epic tale of 19th-century medical discovery, starring Mark Rylance and directed by Tom Morris, will premiere at the Bristol Old Vic in June 2020.
Previous work as writer includes Filter Theatre’s Faster (BAC / Lyric Studio / 59E59 New York / UK Tour), Future Me (Theatre503 / Public Theatre New York / UK Tour), Does My Society Look Big in This? (Bristol Old Vic) and, as dramaturg, Lost Dog’s Salvage (Laban Centre / The Place) and Clod Ensemble’s Placebo (The Place / UK Tour) and On the High Road (South Bank Centre / UK Tour). His short story ‘Ishmael’ is currently optioned for feature film adaptation. He has translated three travel memoirs and two novels, most recently On the Rope by Erich Hackl.
He taught playwriting to adults at the Rose Theatre, Kingston, from 2011 to 2019. Stephen has also worked extensively as a book editor and theatre critic (including on Radio 4’s Front Row). He was publisher of the London-based political magazine Prospect.
I am particularly excited to have Stephen on the Writing Coach team as I have chosen him as my own mentor, as I complete my first play. Stephen is incredibly knowledgeable about the genre and is a brilliant and astute teacher; I cannot recommend him highly enough to aspiring playwrights – Jacqui Lofthouse
Rosalie Love
Rosalie is an editor and literary consultant who has the knowledge and expertise to help you perfect your manuscript.
She has a first class degree in English Literature from King’s College, London, and has several years of experience in the publishing industry, working for both independent and multinational publishing houses. Whilst working as a Commissioning Editor for independent publishing house Blackbird Digital Books, her first commissioned title Valentina achieved great commercial success, resulting in book-prize nominations, features in the media, and an audiobook deal. She also ran the novel’s social media campaign, reaching a global audience. She has subsequently worked in the Education division of Cambridge University Press, and has continued to work closely with authors throughout the editorial process and coordinating various digital marketing campaigns.
Her strengths lie in her eye for detail, her passion for the written word and her ability to spot what makes a book a success.
Phil Viner
Phil Viner is a Crime writer and writing mentor. Phil has written for stage, screen and audio in the UK, USA, New Zealand and Russia. He returned home after ten years overseas and founded an independent audiobook publisher creating the SmartPass and Shakespeare Appreciated brands.
His first novel The Last Winter of Dani Lancing was shortlisted for International Crime Novel of the Year and is in production with Warner Bros for Showtime. He has been developing a new crime show Consequences for ITV global. His new book will be published next year.
Phil lives in Brighton with his wife, the academic and writer Lynne Murphy and their 9-year-old daughter.
Mentoring new writers excites Phil as he has a very visual way of working with timelines and structural breakdowns, which he thinks is ideal for developing crime stories.
The key skills I bring to working with fledgling writers is that I’m good at structure and plot. That is a key factor in writing crime and thriller but also in most forms of writing. Planning, creating time lines and seeding back motivations by analysing where the gaps are and where the plot has sprung a leak, this is very important and I can really help. The plan in mentoring is to get you thinking like a professional writer and learning how to get yourself out of trouble by seeing it, addressing and solving it.
Nikki Sheehan
Nikki Sheehan is an author, journalist, mentor, and mother of three teenagers. She has published three MG and YA novels and also writes poetry, and books for younger children. She has been shortlisted for, and won many awards, and her books Swan Boy and Goodnight, Boy were both nominated for the Carnegie medal.
She is passionate about nurturing creativity, and is a very experienced workshop leader and mentor. Nikki is used to facilitating original stories, poems and scripts with all ages and abilities, and particularly enjoys working with advanced writers to extend their work and achieve their writing goals.
Nikki lives in Brighton and is available for one-to-ones locally and in London.
Louise Voss
Over her eighteen-year writing career, Louise Voss has had twelve novels published – six solo and six co-written with Mark Edwards; a combination of psychological thrillers, police procedurals and contemporary fiction (including the No.1 bestseller Catch your Death, which was the first novel by independent authors to reach Number One on Amazon back in 2011). As well as being self-published, she has been published by Transworld, Harper Collins and Thomas & Mercer. Her twelfth book, The Old You, was published in May 2018 by Orenda Books and is described as ‘nail-bitingly modern domestic noir’.
Louise says:
I have an MA(Dist) in Creative Writing and have taught and mentored extensively. I love helping writers turn their manuscripts into taut page-turners ready for submission to agents and publishers. I will help you with plot, structure, dialogue and characterisation, and am also happy to help with copyediting and proofreading where required. All genres considered, although my main areas of expertise are crime (specifically psychological thrillers) and contemporary fiction.
Lindsay Hawdon
Lindsay Hawdon is a former Sunday Times and Telegraph travel columnist, a writer of fiction and an Associate Lecturer at Bath Spa University. On leaving school, she spent three years travelling around Europe, Africa and India, hitching rides and sleeping under canvas. She has since travelled to over eighty countries. Her travel column “An Englishwoman Abroad”, began in the Sunday Telegraph in 2000 and ran for seven years.
Her articles for The Sunday Times, “Have Kids Will Travel” followed a year’s trip travelling solo with her two young boys around South East Asia. Their most recent trip, featured in a monthly column for the Independent called “The Rainbow Hunters”, took them around the world to find the origin of colour, raising money for the charity War Child as they travelled.
She has had numerous short stories published and in 2015 her first novel Jakob’s Colours, which was shortlisted for The Authors Club First Novel Award, was published by Hodder and Stoughton. She is currently writing her second novel. Lindsay also works as an Associate Lecturer at Bath Spa University, runs a writer’s workshop now in its third year, and has a wide experience of editing and proofreading.
Interests: Travel, adventure and nature writing. All fiction especially literary, women’s fiction, crime, thrillers, commercial fiction and experimental.
Laura Wilkinson
Laura has published six novels for adults (two under a pseudonym) and numerous short stories. Her contemporary fiction is published by award-winning independent press, Accent. Her novel, Public Battles, Private Wars, was a Welsh Books Council Book of the month. Her latest, Skin Deep, has been widely praised. See her work here.
Alongside writing, she runs workshops on craft and has spoken at literary events nationwide. Over the past seven years she’s worked as a developmental editor and mentor, coaching writers to competition shortlistings and publication.
There’s almost nothing better than helping a writer find their voice and develop a compelling story, whether they wish to be published or not. While everyone’s journey is unique, because I am a novelist, I have personal insight into and understanding of the pleasures and pains of authoring. My interests include: manuscript assessment; substantive editing; developmental mentoring from early draft through to finished submission package in women’s fiction, romance, psychological thrillers and historical.
I treated myself to editorial advice from Laura for my birthday and I can honestly say this was the best birthday treat I’ve ever had. Laura engaged passionately with the materials I sent her and I felt that she was strongly committed to my writing and to helping me succeed. She was very direct about where she saw I needed to improve (for me it was mainly about the structure of my story) but she was also very encouraging about my writing which has given me great motivation. I am taking her advice fully to heart and I can already see how much better my novel is as a result. I would strongly recommend Laura to any writers out there – and don’t wait until your birthday!” Anna Rowland
Judi Goodwin
Judi Goodwin specialises in helping writers achieve fluency and creativity in editorial features, memoirs and non-fiction.
As a freelance features journalist, she spent four years as Commissioning Editor for Ideal Home and edited two monthly publications. She regularly contributed to The Daily Telegraph, Radio Times and many consumer magazines, specialising in health, careers, social issues and lifestyle.
She is a qualified coach and trainer and mentors writers on all aspects of journalism, memoirs and non-fiction including finding ideas and stories, researching, interviewing, writing and getting published. She has run professional courses for the NUJ and two of the UK’s largest magazine publishers.
Judi believes lack of confidence and procrastination are the two biggest obstacles we face as writers. She says,
Two decades of running workshops has given me a lot of understanding of how we block our own creativity. So I work with the conscious and the unconscious mind, enabling clients to abandon self-doubt and to access a wealth of creative possibilities. Building confidence is key. Which often means switching off your conscious logical part of the brain and accessing ‘the zone’ where all things are possible.
Jon Magidsohn
Jon Magidsohn, originally from Toronto, is the author of the memoir Immortal Highway. His work has been featured in The Guardian, National Geographic Traveller, Yes & No Magazine, Hippocampus Magazine, Full Grown People and has written about fatherhood for Today’s Parent, dadzclub.com and the Good Men Project. He teaches and facilitates memoir classes in London. Jon received an MA in Creative Nonfiction from City University.
I believe that if you can crack writing via memoir; if you can fully explore the path toward writing the story of your memory, digging deeply enough to show your truth – the ‘why’ behind the ‘what’ – then you’ll be equipped to write about anything.
Testimonials
Jon’s varied life experiences have brought him to a place of deep connection and understanding of human beings. Working with him is a life-enhancing experience and doesn’t feel like ‘work’ at all. He is consistently constructive and positive in his critique. His words ‘be fully expressed’ and ‘write fearlessly’ will stay with me for a long time. It is a joy to have him as a coach.
– Dr Sangeeta Mahajan, Consultant Anaesthetist at Guy’s and St Thomas’ NHS Foundation Trust. Blog: www.kidsaregifts.org and website: www.sangeetamahajan.org
Heidi Williamson
Having been coached and mentored at key stages in her writing life, Heidi understands the enriching experience and significance of both. She qualified as a Writing Coach through the National Association of Writers in Education and the Arvon Foundation and is a professional member of the Association of Coaching (AMAC), specialising in Writing Coaching.
She is currently an Advisory Fellow for the Royal Literary Fund and was RLF Fellow at the University of East Anglia from 2018 to 2020. Her third Bloodaxe poetry collection, Return by Minor Road, published in April 2020, focusses on her time living in Dunblane at the time of the Primary School shooting.
Her second collection, The Print Museum (Bloodaxe, 2016), won the 2016 East Anglian Book Award for Poetry and the Book by the Cover Award. Her first, Electric Shadow (Bloodaxe, 2011), was a Poetry Book Society Recommendation and shortlisted for the Seamus Heaney Centre Prize for Poetry.
From 2011 to 2014 she was Poet-in-Residence at the John Jarrold Printing Museum. In 2008 and 2009 she was Writer-in-Residence for the London Science Museum’s Dana Centre. Her work has appeared in journals across the UK, America and Australia and been translated into Polish, German, Turkish and Romanian. She regularly works with poets worldwide by Skype.
Testimonials
I’ve been lucky enough to be mentored by Heidi for a year. At first I signed up because I really wanted to learn how to write better poetry, more truthful poetry, that felt like it came from my experience rather than just me with an intention to write. I also wanted to feel less blocked in other areas of creativity too, such as music.
Heidi is encouraging, supportive and honest. She gives very detailed, very careful feedback that leads me straight to the areas I need to work on and gives me ideas and tools I can use to help me get there. She is a very careful listener and tailors suggestions for exercises and work towards my ways of working. The sessions with Heidi are very practical, which I love, and she provides a great deal of sources and activities to stretch the work, see how it can be improved, and help me work with what’s on the page.
Heidi is very sensitive when reading material, I’ve found her very careful at looking at work that means alot to me due to the emotional content. She is extremely emotionally astute, and rigorous too in allowing for one’s own emotions and concerns to come through in the work and encouraging that to happen. I am now at a stage where I could submit some poems to publications and Heidi has encouraged me to do so. It means a great deal to be at this stage. I feel that having Heidi as a mentor has given my practice a shape and a direction and also given me tools to keep going and keep looking critically at work (both my own and other poets’). Working with Heidi has been a great pleasure and has been invaluable in that it’s opened up subjects, methods and a practice that I didn’t think I’d be able to find. Jenny Robottom
I valued this whole process immensely and I am grateful for the way you set it up. It was just perfect and felt generous and unforced but disciplined in its own right way. Heidi was a responsive and lively reader. I felt she entered into my own circumstances and tailored her support to suit exactly. I feel full of gratitude for the whole process. Lydia Harris
Working with Heidi through The Writing Coach has been literally life-changing. I left each session buzzing with new ideas, questions, resources and energy. Heidi is supremely talented at listening to what your poems say and to everything they almost say but don’t quite manage. She has a sharp eye for detail and knows just how much constructive criticism you need to hear, and when. Her knowledge of poetry and literature more broadly is vast, and she always has an apposite quote to scribble down – so much new writing has come from tangents of our discussions. She is full of suggestions and equally good at being flexible with ways to explore. I have looked forward to every single Skype session (though I used to hate Skype), and the insights, encouragement and ideas have lasted for weeks afterwards every time. Over a year, I’ve gone so far beyond the questions and doubts I had initially that they seem cutely ridiculous. I have loved having a guide to explore diverse words and ideas, the opportunity to discuss the whole bright world, and the gift of feeling I can call myself a poet. These joys will go on and on, I think. If it means eating beans on toast 6 nights a week and making all your own clothes to pay for it, do it. It makes meaning, it polishes your soul! Katharine Goda
Glynis Kozma
Glynis Kozma works with clients who want to develop their writing around their interests and passions, as writers of non-fiction books or features. She is the author of two non-fiction guides for parents and has written features for The Times, Guardian, Daily Telegraph and Independent, as well as a wide range of consumer magazines and websites.
Her areas of interest for her writing include education, family and health. Glynis is a fully qualified coach and a member of the Association for Coaching. A former teacher of English in secondary schools, Glynis now works with clients who want to write non-fiction books or develop their writing as journalists.
Glynis begins by helping her clients source ideas for a book often around their own life experiences, interests or professional expertise, then they move on to prepare a full proposal. With her contacts in the media she is able to offer insight into what publishers look for and how non-fiction authors can raise their profiles to become the ‘go to’ person for their subject. Writers who want to learn journalism will be guided on how the industry works, how to find suitable publications to pitch, and how to write attention-grabbing pitches.
I love working with clients who want to share their passion in their writing. Two of my former clients, who are now published authors, wrote self-help books: one on sport/exercise based on their considerable experience and the other as a parent whose child was born with a medical condition; she is now the founder of a charity to help other parents. You don’t have to be an expert to write non-fiction; you can become one if you have the passion. Similarly, if you have always wanted to share your opinions or experiences with a wider audience, learning how to write for the media is another route. What could be more satisfying then seeing your byline in a national publication? If you’d like support with any of this, I’d love to work with you.
Dr. Pauline Kiernan
Dr Pauline Kiernan is an award-winning playwright, commissioned screenwriter and prize-winning short story writer. She is also a Shakespeare scholar, taught English Literature at the University of Oxford for twenty five years and was awarded the Leverhulme Fellowship to work as dramaturgy and research resource with Mark Rylance and the companies at the Globe in its first six years.
She has published two scholarly monographs: Shakespeare’s Theory of Drama, and Staging Shakespeare at the New Globe, as well as the best-selling Filthy Shakespeare. She has also published the best-selling, snappily entitled Screenwriting They Can’t Resist: How To Create Screenplays of Originality and Cinematic Power – Break The Rules.
She has been a literary consultant and creative writing mentor for eleven years and has taught on the University of Oxford’s Creative Writing MA Courses.
Pauline has won several short story prizes, and has just completed a new play, Sedition.
I have a passion for encouraging writers – both emerging and more experienced – to develop for themselves the most imaginative and powerful way to shape their unique creative vision.
Dr Sara Bailey
Dr. Sara Bailey is a writer, consultant and lecturer who has been working with authors and screenwriters for many years in London, the Southeast and more recently in the Orkney Islands. Her first book, Writing the Horror Movie was published by Bloomsbury in 2014 and more recently, she was the debut author for Nightingale Editions in 2016 with her novel, Dark Water.
Sara has a PhD in Critical and Creative Writing from Bangor University. She is currently developing a Creative Writing degree for the university of the Highlands and Islands and completing her second novel.
She is a member of the Crime Writer’s Association, the Author’s Association, the National Association of Writer’s in Education and is actively involved in national and international conferences on writing.
Delia Lloyd
Delia Lloyd is a writer and communication consultant with particular expertise in non-fiction and academic writing, as well as blogging, journalism and editing.
Delia’s personal essays and reporting have appeared in a variety of major international media outlets including The New York Times, The Financial Times, The Washington Post and The BBC World Service. Her popular personal blog, Real Delia, explores the journey of adulthood, and she is a regular contributor to two websites exploring women’s fulfilment as they age: Better After 50 and Sixty and Me. In 2017-18, she was a Visiting Fellow at the Oxford Institute of Population Ageing, where she wrote a collection of personal essays about swimming and adulthood.
Delia has also had an accomplished career in policy and research. She holds a PhD in political science from Stanford University and has taught on the faculty of MIT and The University of Chicago. She served as a Senior Development Advisor at The United States Treasury Department and worked as Head of Policy and Research Insight at the BBC’s international development charity, BBC Media Action.
Delia has training in coaching and mentoring. She has edited numerous policy briefings, research reports and blogs and has provided feedback on a range of fiction and non-fiction manuscripts. She is currently launching a consulting company that will help people to communicate more authentically in their personal and professional lives.
Delia is available for one-to-one consultations in London and by Skype.
Delia is a wonderful and warm coach – she worked to understand my writing, content and audience, before then creating a personalized programme of practical actions to enable me to move forward with my writing. Providing some brilliant practical exercises that I could apply to my writing going forward. Katie – Social Impact Professional
Caroline Green
Caroline Green is a Sunday Times best-selling, award-winning author of fiction for young people and adults. Her first novel, Dark Ride won the RONA Young Adult Book of the Year and the Waverton Good Read Award. Cracks was recommended on Radio 4’s Open Book programme and Hold Your Breath won the Oldham Book Award. She is the Writer in Residence at East Barnet School and teaches Crime Writing at City University, and children’s writing for Writer’s and Artist’s Yearbook.
Writing as Cass Green, her debut adult novel The Woman Next Door was a Number 1 e-book bestseller and her second, In A Cottage, In A Wood was a Sunday Times top ten and USA Today bestseller. Don’t You Cry is her third crime novel for adults.
Mark Leggatt
Mark is the author of five books and a former technology specialist. He is an editor and mentor, whether over Skype or email. Mark is also a member of the author touring group ‘Four Blokes In Search of a Plot’, a show which performs in theatres and arts venues, and writes a very short crime novel live on stage, while discussing all the aspects of being a writer and publishing. The stories are truly terrible, so it’s just as well it’s done for laughs or he’d never sell another book. He has appeared at festivals across Scotland and was invited to Thrillerfest in New York for three years running. He is represented by a leading London literary agency.
He has a keen interest in technological and international thrillers, crime, especially Tartan Noir, and loves fantasy, sci-fi and psychological crime. He enjoys the mentoring of debut authors, so he can show them all the mistakes he made as a debut, so they don’t have to. Just as well he can laugh about it.
As a new author the task of writing a novel that is worthy of securing an agent and getting published, is very daunting. The first thing to get right is the product! The book needs to be written well and you need a plot / storyline that will hook your readers. ‘The Writing Coach’, and specifically Mark Leggatt, have produced an amazing report that shows me exactly what I need to do to take my novel to the next level to secure an agent. Now the hard work begins, and I have a clear idea of what I need to do to progress my work to the next level. Thank you! Adrian Quinton